[00:00:01]Thank you. [00:00:02]Here you go. [00:00:03]Thank you. [00:00:04]No, it’s alright. [00:00:05]Goodbye. [00:00:06]Thank you. [00:00:06]Enjoy your meal. [00:00:11]Thank you. [00:00:12]Sir? [00:00:13]Yeah? [00:00:14]Sorry, I ordered a pepperoni pizza. [00:00:46]And where are they? [00:00:50]Yes, okay, I’ll come by later. [00:00:52]Yes, we heard it, goodbye. [00:00:54]And afterwards, the doctor examines the guy’s tail, [00:00:57]and it’s true, it’s orange. [00:00:58]So, the doctor asks the patient: what do [00:01:00]you do for a living? [00:01:01]How much longer do you have? [00:01:05]So, the patient replies: “I’m unemployed, I [00:01:07]I spend my days watching TV while eating [00:01:08]paprika chips. [00:01:09]» [00:01:14]Hey, ma'am, voyeurism is a crime punishable by [00:01:17]prison. [00:01:18]Yeah, that’s why there has to be something to [00:01:20]see. [00:01:41]Hey, Bob! [00:01:55]What? [00:02:09]? [00:02:09]I need to get home. [00:02:10]But it’s not serious, not now. [00:02:15]Sorry. [00:02:16]Anna! [00:02:17]Tell me, this Siska, is she naked, you know? [00:03:48]The first thing she did was [00:03:49]to touch my breasts. [00:03:51]Firm flesh. [00:03:53]There’s no one to convert her because there’s [00:03:55]no tail in the corner. [00:03:57]It seems like you're not a big fan of her either. [00:04:00]These lesbian films don’t need to get close [00:04:04]to me. [00:04:05]What’s this story about Eva DeWitt being raped? [00:04:07]Is Siska in charge? [00:04:09]Who told you about Eva DeWitt being raped? [00:04:36]You bitch! [00:04:39]Guard! [00:04:44]Spread your legs! [00:04:48]Spread your legs! [00:04:50]I said, spread your legs! [00:04:51]It’s going to hurt a little, Meyer! [00:04:56]It’s your choice, that’s enough, Véinon! [00:05:01]Zizka! [00:05:02]Let her go! [00:05:02]Now, let her go! [00:05:03]Drop that knife! [00:05:04]I beg you, give it to me! [00:05:05]Let her go, Zizka! [00:05:06]Zizka! [00:05:07]We chased our accomplice, agreed? [00:05:09]Nothing can happen to Kirsten, give me this knife. [00:05:13]! [00:05:13]Let her go. [00:05:15]That bitch just rammed her fist in my ass! [00:05:18]Do you want to stay here until the end of your life? [00:05:34]Come on! [00:05:35]Let her go right now. [00:05:36]Please. [00:05:36]Calm down. [00:05:36]Stop it. [00:05:36]No! [00:05:37]Get lost! [00:05:37]You’re dying in Lanzarote tomorrow to photograph swimwear. [00:05:39]So yes, a gift. [00:05:40]No! [00:05:42]MFP Subtitle. [00:05:42]Text: "I went to the market to buy fruit [00:05:45]and vegetables.” [00:05:48]et légumes. [00:05:49]It was very lively and I met my friend Pierre. [00:05:52]He had bought apples and pears. [00:05:54]We talked for an hour and then I went home. [00:05:58]Corrected text: "I went to the market [00:06:01]to buy fruits and vegetables." [00:06:03]It was very lively and I met my friend Pierre. [00:06:06]He had bought apples and pears. [00:06:09]We talked for an hour and then I went home. [00:06:12]Tu can take care of her for the week. [00:06:59]You can kiss her as much as you want. [00:07:03]No, I don’t believe you. [00:07:05]No, you can’t do that to me. [00:07:06]I’m working. [00:07:07]Go. [00:07:17]A photoshoot for the P. [00:07:32]Three days at [00:07:35]Mont-Saint-Michel. [00:07:43]This problem can certainly wait. [00:07:38]Ce problème peut bien attendre.
Birth Place:Brasschaat, Arrondissement of Antwerp, Belgium
Career
First Appearances:
Misstakes (2000) as Fanny Kiekeboe / Lien
Most Important Roles:
Love Belongs to Everyone (2006) as Barbara
Singing Jailbirds (2022) as Carole
The Over the Hill Band (2009) as Nurse
Crazy About Ya (2010) as Anna Reynders
Long Weekend (2005) as Lisa
Loft (2008) as Ann Marai
Misstakes (2000) as Fanny Kiekeboe / Lien
Through the Night (2023) as Anna
Code 37 (2011) as Hannah Maes
Come As You Are (2011) as Nurse
Career Highlights:
Love Belongs to Everyone (2006)
Singing Jailbirds (2022)
The Over the Hill Band (2009)
Crazy About Ya (2010)
Long Weekend (2005)
Loft (2008)
Misstakes (2000)
Through the Night (2023)
Code 37 (2011)
Come As You Are (2011)
Awards
Awards:
Won European Film Award - European Actress (2013)
Won Best Literary Adaptation Award - Best Literary Adaptation (2024)
Nominated for 1 Grand Jury Prize - World Cinema - Dramatic (2023)
Won New Directors Competition - Best Fiction (2023)
Won Jury Award - Best Actress in a Narrative Feature (2013)
Nominated for 1 Ingmar Bergman Award - Best Debut Feature (2023)
Nominated for 1 Magritte Award - Best Actress (Meilleure actrice) (2025)
Nominated for 1 Magritte Award - Best Supporting Actress (Meilleure actrice dans un second rôle) (2023)
Won Magritte Award - Best Actress (Meilleure actrice) (2020)
Won Magritte Award - Best Actress (Meilleure actrice) (2016)
Won Lost Weekend Award - Best Actress (2014)
Nominated for 1 Ensor - Best Director (Beste Regie) (2024)
Nominated for 1 Ensor - Best Screenplay (Beste Scenario) (2024)
Nominated for 1 Ensor - Best Supporting Performance (Beste Acteerprestatie in een Ondersteunende Rol) (2022)
Won Ensor - Best Actress - TV Series (Beste Actrice Televisieserie) (2018)
Nominated for 1 Ensor - Best Actress (Beste Actrice) (2016)
Won Volkswagen Financial Services Filmpreis - Best Film (2023)
Won Der Heinrich - Best Film (2023)
Nominated for 1 A.C.S. Award - Best Actress (2021)
Won Golden Interpretation - Best Actress (2024)
Full Biography
Veerle Baetens is a Flemish actress. Baetens was born in Brasschaat, Belgium. She followed a musical education at the "Brusselse Hoger Instituut voor Dramatische Kunsten".
In 'Code 37', a renowned author is assaulted in a seedy part of town, prompting Hannah and her team to investigate. As they delve deeper into the case, they uncover an unsettling prostitution network involving college students.
Summary
'Code 37' (2011) is a Belgian thriller directed by Jakob Verbruggen. The film follows Hannah and her police team as they navigate a complex investigation into a violent assault on a prominent author. Set against the backdrop of Belgium's seedy underbelly, their probe uncovers a disturbing network of prostitution involving college students. The movie explores themes of corruption, exploitation, and the darker side of human nature.
