Actress: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Movie Title: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Scene Details

Duration: 73 sec..Nudity: yesCreator: chevreuil
New Filesize: Loading...Sound: yesOld Filesize: 8 mb
File Format: AOMedia Video 1 (WebM/AV1)Resolution: 672x400Added: 2005-08-08

Actresses in this Scene


Preview Image Valérie Kaprisky
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Birth Name: Valérie Chérès

Birth Date: 1962-08-19

Birth Place: Neuilly-sur-Seine

Details

Alternate Names: Valerie Kaprisky, Valerie Kaprisky, Valérie Cheres, Valérie Chérès, Valérie Cheres, Valérie Chérès

Physical Characteristics: N/A

Career

First Appearances:

  • Men Prefer Fat Girls (1981) as Une copine d'Èva

Most Important Roles:

  • Breathless (1983) as Monica
  • Aphrodite (1982) as Pauline
  • Special Correspondents (2009) as Françoise Poussin
  • By the Pricking of My Thumbs (2005) as Françoise Blayes
  • Year of the Jellyfish (1984) as Chris
  • Frenchmen 2 (2007) as Jeanne
  • So Woman! (2009) as Marion
  • Les Irréductibles (2006) as Laurence
  • The Public Woman (1984) as Ethel
  • Men Prefer Fat Girls (1981) as Une copine d'Èva

Career Highlights:

  • Breathless (1983)
  • Aphrodite (1982)
  • Special Correspondents (2009)
  • By the Pricking of My Thumbs (2005)
  • Year of the Jellyfish (1984)
  • Frenchmen 2 (2007)
  • So Woman! (2009)
  • Les Irréductibles (2006)
  • The Public Woman (1984)
  • Men Prefer Fat Girls (1981)

Awards

Awards:

  • Nominated for 1 César - Best Actress (Meilleure actrice) (1985)
  • Nominated for 1 Genie - Best Performance by an Actress in a Leading Role (1994)
  • Nominated for 1 Jupiter Award - Best International Actress (1985)
  • Nominated for 1 Jupiter Award - Best International Actress (1984)

Full Biography

Valérie Kaprisky (born August 19, 1962) is a French actress. She was born Valerie Chérès in Neuilly-sur-Seine, Hauts-de-Seine, France. Kaprisky is her mother's maiden name. She appeared in soft-core exploitation (Aphrodite), then made her American debut in the A Bout de Souffle remake Breathless (1983) frolicking with Richard Gere with whom she subsequently had a reportedly-tempestuous affair. The film was critically panned and she returned to filming in France. She also appeared in La femme publique (1984) by Andrzej Żuławski, for which she was a nominee for the 1985 César Award for Best Actress.

Valérie Kaprisky


About the Movie: La femme publique (1984)

Poster for La femme publique (1984)
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Release Year: 1984

Nation: France

Alternative Title: A Mulher Pública, Обществена жена, Femme publique, Kobieta publiczna, Публичная женщина, La mujer pública, The Public Woman, Die öffentliche Frau

Director: Andrzej Zulawski

Writer: Andrzej Zulawski, Dominique Garnier

Production & Genre

Producer(s): Producer: René Cleitman

Companies: Hachette-Fox Productions

Genre: Drama, Erotic Film

Awards & Similar

Awards:

  • 2 wins & 4 nominations

Similar:

  • Avalon (1990)
  • God Does Not Believe in Us Anymore (1982)
  • The Cousins (1959)
  • Topaz (1969)
  • Teheran '43 (1981)

Keywords

Story

A young actress, Sophie (Sophie Marceau), arrives in Paris and lands a role in a film adaptation of Dostoyevsky's 'The Possessed'. The Czech director of the film, Paul (Francis Huster), becomes obsessed with her and takes control over her life. Sophie struggles to distinguish between reality and acting as she becomes deeply immersed in her character. Paul manipulates her into posing as the dead wife of a Czech immigrant named Koudelka (Yves Benezet). Unbeknownst to Sophie, Paul intends for Koudelka to carry out a political assassination under the guise of being Sophie's widower.

Summary

La femme publique (1984) is an erotic drama directed by Andrzej Żuławski, based on Sophie Marceau's real-life experiences in the film industry. The movie explores themes of identity, reality versus illusion, and manipulation. It interweaves elements from Fyodor Dostoyevsky's 'The Possessed' with a semi-autobiographical narrative. Although it received mixed reviews upon release, La femme publique is now considered one of Żuławski's most controversial films due to its explicit content and exploration of dark psychological themes.