Scene from Ogniem i mieczem (1999)
Scene Details
| Duration: 26 sec.. | Nudity: yes | Creator: zorg |
| New Filesize: Loading... | Sound: yes | Old Filesize: 28 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1912x958 | Added: 2017-07-07 |
Actresses in this Scene
Birth Name: Izabella Dorota Skorupko
Birth Date: 1970-06-04
Birth Place: Białystok, Podlaskie Voivodeship, Poland
Details
Alternate Names: Izabela Dorota Skorupko, ایزابلا اسکوروپکو
Physical Characteristics:
Career
First Appearances:
Most Important Roles:
Career Highlights:
Full Biography
Izabella Scorupco was born to Lech and Magdalena Skorupko in Białystok, Poland, on 4 June 1970. When she was one year old, her parents separated, and she remained with her mother. In 1978, they moved to Bredäng in Stockholm, Sweden, where Scorupco learned to speak Swedish, English and French.
In the late 1980s, Scorupco travelled throughout Europe working as a model, and appeared on the cover of Vogue. In 1987, she was discovered by director Staffan Hildebrand and starred in the film Ingen kan älska som vi ("Nobody can love like us"). In the early 1990s, she had a brief but successful career as a pop singer, releasing the album IZA, which was certified gold in Sweden in 1991. On December 25, 1996, Scorupco married Polish ice hockey player Mariusz Czerkawski, then with the Edmonton Oilers. They had one daughter together, Julia (born September 15, 1997). They separated in 1998.
On January 30, 2003, Scorupco married an American, Jeffrey Raymond; they have a son, Jakob (born July 24, 2003), and now live in Los Angeles and New York City.
In 2011, Scorupco reprised her singing career, duetting with Swedish musician Peter Jöback in his single Jag Har Dig Nu and featuring in the song's music video. She also starred in Jöback's short extension film La vie, L'amour, Le mort. Scorupco went on to host the spring 2012 series of Sweden's Next Top Model but did not continue it for a second series.
Scorupco moved into the comedy world in July 2013 when she was named to a lead role in a new Swedish romantic comedy, Micke & Veronica, alongside David Hellenius. It premiered on December 25, 2014.
About the Movie: Ogniem i mieczem (1999)
Alternative Title: Die Kreuzritter 5 - Mit Feuer und Schwert, With Fire and Sword, Par le fer et par le feu, S ogun i mech, С огън и меч, Ohněm a mečem, Med ild og sværd, Con sangre y fuego, Tulella ja miekalla, By Fire and Sword, Par le fer et par le feu, Diá Pyrós kai Sidírou, Ognjem i mačem, Tűzzel-vassal, Ognem i mechom, Огнем и мечом, Med eld och svärd, Ohňom a mečom, Ateş ve Kiliç, Vohnem i mechem, Вогнем i мечем
Director: Jerzy Hoffman
Writer: Andrzej Krakowski, Henryk Sienkiewicz, Jerzy Hoffman
Production & Genre
Producer(s): Producer: Jerzy R. Michaluk, Jerzy Hoffman, Jerzy Kajetan Frykowski
Companies: Okocimskie Zakłady Piwowarskie, Agencja Produkcji Filmowej, Zodiak Jerzy Hoffman Film Production, Telewizja Polska
Genre: Adventure, Drama, Film Based On A Novel, History
Awards & Similar
Awards:
Similar: N/A
Keywords
Keywords: 1640s, 17th century, cossack, cossack hetmanate, cossack polish war, cossack rebellion, early modern period, europe, female full frontal nudity, female nudity, female rear nudity, hairy chested man, impalement, insurrection, khmelnytsky insurrection, khmelnytsky uprising, polish lithuanian commonwealth, rear nudity, rebellion, skinny dipping
Story
In 17th century Ukraine, a Cossack rebellion threatens the sovereignty of the Polish-Lithuanian Commonwealth. Colonel Michal Wolodyjowski leads a squadron of Polish cavalry against the rebels and their Crimean Tatar allies. Amidst this conflict, a Polish knight, Skrzetuski, and a Cossack leader, Bohun, both fall in love with Helena, a young beautiful woman. Their rivalry over her becomes symbolic of the Polish-Ukrainian struggle.
Summary
Ogniem i mieczem (1999) is a historical drama film directed by Jerzy Hoffman, based on Henryk Sienkiewicz's novel of the same name. Set during the Khmelnytsky Uprising in the mid-17th century, it explores the complex political and cultural landscape of Eastern Europe through the lens of a love triangle between Skrzetuski, Bohun, and Helena. The film is notable for its exploration of historical tensions between Poles and Ukrainians, portrayed against a backdrop of betrayal, assassination, and rebellion.