Scene from The Wire / TV series (2002)
Scene Details
| Duration: 40 sec.. | Nudity: yes | Creator: Ruffah |
| New Filesize: Loading... | Sound: yes | Old Filesize: 34 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1920x1080 | Added: 2015-07-06 |
Actresses in this Scene
Details
Alternate Names: Melanie Nichols-King, Melanie King
Physical Characteristics: N/A
Career
First Appearances:
Most Important Roles:
Career Highlights:
Awards
Awards:
Full Biography
Melanie Nicholls-King (born May 9, 1967) is a Canadian stage and screen actress, best known for her recurring television roles as Cheryl on The Wire and as Officer Noelle Williams on Rookie Blue.
Birth Name: Sonja Williams
Birth Date: 1964-05-09
Birth Place: Newport News, Virginia, United States
Details
Alternate Names: 소냐 손, 宋雅·孫
Physical Characteristics: N/A
Career
First Appearances:
Most Important Roles:
Career Highlights:
Awards
Awards:
Full Biography
Sonja Sohn is an American actress and community activist. She is best known for her role as Detective Kima Greggs on the hit HBO drama The Wire, which has led to her current work as the leader of the Baltimore community initiative ReWired for Change. She is currently starring as Detective Samantha Baker on the ABC drama series Body of Proof.
About the Movie: The Wire / TV series (2002)
Episode: Season 1, Episode 3: The Buys
Release Year: 2002
Nation: United States
Alternative Title: 火线重案组, وایر, 더 와이어, Los Vigilantes, Wire HBO
Director: David Simon
Writer: David Simon
Production & Genre
Producer(s): Executive Producer: David Simon
Companies: Blown Deadline Productions, HBO
Awards & Similar
Awards:
Similar:
Keywords
Keywords: corruption, newspaper, drug trafficking, drug dealer, baltimore, usa, gangster, police, organized crime, police detective, surveillance, power politics, urban decay, newspaper reporter, wiretapping, workers union, education system, docks, black project, mayoral election, violence
Story
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.