Actress: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Movie Title: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Scene from Believers (1987)

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Scene Details

Duration: 104 sec..Nudity: yesCreator: zorg
New Filesize: Loading...Sound: yesOld Filesize: 103 mb
File Format: AOMedia Video 1 (WebM/AV1)Resolution: 1920x1040Added: 2014-12-21

Actresses in this Scene


Preview Image Helen Shaver
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Birth Name: Helen Shaver

Birth Date: 1951-02-24

Birth Place: St. Thomas, Cole County, United States

Details

Alternate Names: Helen Jane Shaver, هلن شیور

Physical Characteristics: N/A

Career

First Appearances:

  • The Overlanders (1974) as Mrs. O'Mara

Most Important Roles:

  • Desert Hearts (1985) as Vivian Bell
  • D.C. Sniper: 23 Days of Fear (2003) as Sandy Moose
  • Tremors 2: Aftershocks (1996) as Kate 'White' Reilly
  • Best Defense (1984) as Claire
  • The Color of Money (1986) as Janelle
  • The Believers (1987) as Jessica Halliday
  • The Osterman Weekend (1983) as Virginia Tremayne
  • The Craft (1996) as Grace
  • That Night (1992) as Ann O'Connor
  • Countdown to Looking Glass (1984) as Dorian Waldorf

Career Highlights:

  • Desert Hearts (1985)
  • D.C. Sniper: 23 Days of Fear (2003)
  • Tremors 2: Aftershocks (1996)
  • Best Defense (1984)
  • The Color of Money (1986)
  • The Believers (1987)
  • The Osterman Weekend (1983)
  • The Craft (1996)
  • That Night (1992)
  • Countdown to Looking Glass (1984)

Awards

Awards:

  • Theatre World Award (1992)
  • Canada's Walk of Fame (2004)

Full Biography

Helen Shaver is a Canadian stage, film and television actress and director. She attended the Banff School of Fine Arts and studied Acting at the University of Victoria, British Columbia, Canada. She started acting at 18, collaborating with industry giants like Scorsese and Spielberg. Her performances earned awards—Theatreworld Award for "Jake’s Woman," Genies for "In Praise of Older Women" (Best Actress) and "Who Has Seen the Wind" (Best Supporting Actress). Transitioning to directing, she helmed episodes for various series and directed Emmy-winning films like "Summer’s End." Despite childhood illness, her resilience led her to study acting and excel in her craft.


About the Movie: Believers (1987)

Poster for Believers (1987)
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Release Year: 1987

Nation: Canada, United Kingdom, United States

Alternative Title: The Believers, Adoradores do Diabo, Den 7. magt, Los creyentes, Pahan riivaamat, Les envoûtés, Oi daimonismenoi, A hívõk, Fekete mágia, The believers: I credenti del male, Santaria: Makai onryô, Mørkets makt, Wyznawcy zla, A Seita do Mal, Vudu vernici, De sju makterna, Tarikat, Das Ritual

Director: John Schlesinger

Writer: Mark Frost, Nicholas Conde

Production & Genre

Producer(s): Producer: Beverly J. Camhe, John Schlesinger, Michael Childers
Executive Producer: Edward Teets

Companies: Orion Pictures

Genre: Drama, Film Based On Literature, Horror, Horror Film, Mystery, Mystery Film, Thriller

Awards & Similar

Awards:

  • 1 nomination total

Similar:

  • Blood and Wine (1996)
  • Someone to Watch Over Me (1987)
  • Death and the Compass (1992)
  • 13 m² (2007)
  • Blast of Silence (1961)

Keywords

Story

In the aftermath of his wife's accidental death and a recent move to New York with his young son, police psychologist Cal Jamison finds himself reluctantly drawn into investigating a series of grisly, ritualistic murders involving the immolation of two youths. The murders bear the hallmarks of Voodoo or Santería rituals, and despite warnings from his housekeeper, Jamison becomes personally involved in the case, entering the scene of the crimes and eventually becoming influenced by the cult's beliefs. As he delves deeper into the investigation, Jamison believes that the cult may be targeting his own son for a child sacrifice.

Summary

Believers is a 1987 film directed by John Schlesinger, which blends elements of drama, horror, and mystery. The story revolves around Cal Jamison, a police psychologist struggling with grief after his wife's death. When he moves to New York and becomes involved in investigating ritualistic murders, his personal life intersects with the macabre crimes. The film is notable for its exploration of African deities and cult rituals, particularly Voodoo or Santería, as well as its tense portrayal of a father's desperate efforts to protect his son from harm.