Scene from Nudo di donna (1981)
Scene Details
| Duration: 354 sec.. | Nudity: yes | Creator: zorg |
| New Filesize: Loading... | Sound: yes | Old Filesize: 396 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1920x1080 | Added: 2026-03-03 |
Actresses in this Scene
Details
Alternate Names: Элеонора Джорджи
Physical Characteristics: N/A
Career
First Appearances:
Most Important Roles:
Career Highlights:
Awards
Awards:
Full Biography
Eleonora Giorgi (born 21 October 1953) is an Italian actress. Giorgi was born in Rome, Italy. Her father was of Italian and English origin. Her mother was of Italian and Hungarian origin.
She made her film debut in a minor role in Paolo Cavara's horror film Black Belly of the Tarantula (1970) and subsequently appeared in nearly fifty films, mostly in prominent roles. Domenico Paolella's Story of a Cloistered Nun (1973), an important nunsploitation, marked her film debut, at age eighteen. She then took part in Il bacio (The kiss), a fantasy drama directed by Mario Lanfranchi, and in erotic comedies such as Salvatore Samperi's La sbandata (1974), in which she plays near Domenico Modugno and Luciana Paluzzi, Luciano Salce's Alla mia cara mamma nel giorno del suo compleanno (1974), Pasquale Festa Campanile's The Sex Machine (U.S. title: Love and Energy) (1975) and Gianluigi Calderone's Appassionata, that definitively gaine her the public acclaim.
Roles in movies like Franco Brusati's To Forget Venice (1979), Dario Argento's Inferno (1980), Nino Manfredi's Nudo di donna (1981), and Liliana Cavani's Beyond Obsession (1982) are some of her most known and remarkable dramatic performances but in the beginning of the eighties, Giorgi decides to rejoin comedy. She's near Adriano Celentano in Mani di velluto and Grand hotel excelsior; for her performance in Carlo Verdone's Borotalco (1982), she won the Nastro d'Argento award and David di Donatello award for Best Actress.
In 2003, Giorgi wrote and directed her first film Uomini & donne, amori & bugie (U.S. title: Love, Lies, Kids... & Dogs), with Ornella Muti.
About the Movie: Nudo di donna (1981)
Alternative Title: Portrait of a Nude Woman, Portrait of a Woman, Nude, Desnudo de mujer, Nu de femme, Női akt, Die nackte Frau, The Mysterious Picture
Director: Alberto Lattuada, Nino Manfredi
Writer: Agenore Incrocci, Furio Scarpelli, Giuseppe Moccia, Nino Manfredi, Paolo Levi, Ruggero Maccari, Silvana Buzzo
Production & Genre
Producer(s): Producer: Franco Committeri
Companies: Mass Film, Les Films Marceau-Cocinor
Genre: Comedy, Comedy Film, Romance
Awards & Similar
Awards:
Similar:
Keywords
Keywords: venice, italy, italy, erotic movie
Story
Sandro, a middle-aged Roman man, finds himself drifting through Venice during Carnival after separating from his wife of sixteen years due to their escalating arguments. On his first night away, he sees a photograph of a nude woman who resembles his wife, Laura. Intrigued, Sandro sets out to find the model, whose name is Riri. He discovers that Riri is a prostitute and looks very much like Laura but has a completely different personality and lifestyle. Throughout the carnival season, Sandro struggles to determine whether he's dealing with two separate women or one woman with two distinct personas. The film culminates in a masquerade ball where reality and illusion blur, leaving Sandro questioning what is genuine.
Summary
Nudo di donna (1981) is an Italian comedy-drama directed by Alberto Lattuada and Nino Manfredi, starring Nino Manfredi as the titular character Sandro. The film explores themes of midlife crisis, identity, and the blurring line between reality and illusion, set against the backdrop of Venice's vibrant Carnival celebrations. Although plot details are scarce in provided sources, 'Nudo di donna' appears to be a complex narrative about a man's search for his wife's doppelganger amidst the masquerade and revelry of Venetian carnival.